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Sunday
Feb192012

Embrace the Dark Side (Review: Black Hole of Calcutta, ST LP 2012)

Not much is noted of the aphotic and unforgiving terrain  where the realms of black metal and crust punk blur into a singular and develop into a most frightful set of forms.It remains a very sparsely populated territory,  briefly explored and inhabited by the more drab rag tags of the disputed "Stenchcore" misanthropes, and since then its population irregularly goes up a notch as a meagre handful of bands brave the barren depths of this bastard half blood of music genres.

One such band to have blossomed from this incurable and famished land of taint, blasphemy and mephistophelian desires would be California's vanguard of misery Black Hole of Calcutta.

Click to read more ...

Wednesday
Feb152012

My Love, My Way

 

The album "Witness" by Modern Life Is War is one of the best hardcore(et al sub-genre associated) records of the 2000's. It's been incredibly acclaimed by everyone under the sun. Someone said it's the "greatest hardcore album of our generation". Think about that. This is my "Damaged" or "Out of Step" or "Dag Nasty" or "Petitioning the Empty Sky". Here's some other quotes from the Wiki of this album:

"Witness breaks boundaries and surpasses dreams hardcore has not even had yet. It is eloquent and beautiful in every way. You will get choked up the first time you hear it."
Reviewers for Punknews.org were the most blunt with their praise, simply stating that "if every album could be like Witness, then maybe music wouldn’t suck as bad is it does right now."

This album is that good. I don't give a fuck if you don't like hardcore, especially more mid-paced, dissonant, expressive and passionate hardcore. Everyone in the band plays incredibly well and once again lyrics reign supreme. Jeffrey Eaton blow Darby Crash out of the water when it comes to poetic lyrics. This guy knows what you're feeling deep down whether you know it or not. Every second I listen to this CD I feel like I'm fifteen at my first shit hole bar or basement show with a bunch of sweaty people screaming every word they can as loud as they can until they go hoarse. I can see the band playing, their singer amping the crowd, sharing the mic, diving. Kids everywhere are climbing on top of each other to get on the stage, stage diving, finger pointing. Tears start streaming down our faces because we all feel the same thing. We have collective empathy. The words pour out like they were our own and everyone lets go of everything inside.

Every time I hear this CD, that's how I feel. It all comes rushing back and gives me goosebumps.

All the albums I mentioned are starting points, I especially feel Dag Nasty is a big one. Jacob Bannon is a great lyricist to compare Jeffery Eaton to but the bands don't find much resemblance beyond that. They do however share another relationship, this record being put out on Deathwish Inc. and Jacob Bannon doing the artwork and layout. Kurt Ballou also recorded this at his Godcity Studio in surprise, Massachusetts. Figures. Even the best bands have to go through MA.

My favourite songs are "Martin Atchet", "D.E.AD. R.A.M.O.N.E.S", "Young Man On A Spree" and "Hair-Raising Accounts of Restless Ghosts (AKA Hell is for Heroes, Part 2)". It's so hard to pick a favourite of those. There really is none since their all such solid song. "D.E.A.D R.A.M.O.N.E.S." is a anthem that demands pile-ons and sing-alongs and finger pointing.

Saturday
Feb112012

False Grind Alienation

 There are usually a couple different measures of quickly figure out why you enjoy a band more then you think you should and/or why everyone you've ever met loves that band. One big easy one, for extreme music, is to put that band on at around 70% volume when with a large group of people and see how fast they all start making faces of disdain and disgust until someone finally asks you to turn it down or change it completely(usually to something fucking stupid and mainstream everyone else in the group likes). The faster this happens, the better the band usually is. The other way is that "Holy shit" effect certain bands haves upon listening to a song or riff or blast beat, no matter how many times you've heard that song before. Every time I hear the Torture EP I get that feeling with John's voice or the fucking outrageous blast beats. Insect Warfare is no different other then me having the "Holy shit" moment in almost every song, sometime more then once. That is the true brand of a band that blazed through their perspective genre, and all music in general. This may just be the cannabis, but certain aspects of bands truly do transcend one aspect of media and art, and permeates into others. Insect Warfare is, for me at least, a prime example of true artist talent in a tight package not meant for everyone because it's visceral and in your face musically, lyrically and in the album artwork itself. Can you really think of one IW 7" that doesn't have fucking amazing artwork? What aspect could possibly be a downfall and dethrone them from basically being kings of grind, even posthumously? Few bands playing straight grind like they do as efficiently as they do. Little room is left for filler. Insect Warfare is one of those bands I can post easily about to spread the music, but I have a really time explaining why they are one of the best bands ever to exist on this planet. It's easy to pick out and name their influences as reference, but the band covers all that material already in a very literal sense so there's no use in talking about all the sweet bands they sound like. And despite posting about them already I'm having a hard time trying to figure out the best start off point for introducing people to this band, even after six years I still don't know where to start. Is that another hallmark of a truly great band. I guess I'll let the grinding blasts and shredding riffs do all the talking.

Friday
Feb102012

Ghetto D-Beat

  Peter Mangalore play straight up no frills straight edge power-violence with an awesome d-beat twist. Think Discharge meets Crossed Out with lots of feedback and punk as fuck riffs. The bass is turned way up in that style of 90's PV, a trademark of the genre I'm quite fond of. This 5" called "Decay of the Iron Man" has eight fucking awesome songs in under five minutes. My favourites being "Moonlight Over Ghetto Prague" for the repeated chorus over blasts,

"Eternal Life in Return for Obedience" for it's surfing Dick Dale style d-beat

Something unrelated that interesting is the very last song "Gerwalk" is the only song with that production. It's a little louder and more crisp. Regardless it rips.

 I don't have much else to say about this short burst of awesome. Get high and rock out. 

 

Tuesday
Feb072012

Life Aquatic: With Love Garden Sounds

 

Any large, or at least moderately sized, city needs at least one good and reliable record shop. Where would a music scene come from if there was no place to sell old records to new people or to pick up the newest release at? Even if CD sales have hit rock bottom, vinyl sales have been at a steady increase despite the fact underground vinyl "sales" have remained relatively unchanged due to it never dying, but that's a whole different story. The internet has truly been a blessing from Merlin to any and all music fans making it stupid easy to track down any and all songs from any and all bands to ever exist. This constant streaming flow of information, music and art allows any and everyone to download until they are content, but there is a key element missing in only downloading music. Beyond not seeing the bands live which is a fucking travesty, you miss out on what those bands are about. Without holding a physical copy in your hands how will you really know what the album artwork looks close up?  How will you read the lyric sheet and figure out what the band is saying and truly stands for? Digital files are all just bits of binary information, not beautiful multi-coloured slabs of splattered wax of all sorts of shapes and sizes and what's the beauty in just having gigs of information?

 During the time I spent in Lawrence, Kansas I came upon a couple of local record stores. Kief's was originally located downtown and has moved to the outskirts for a bigger space as the dude owning it also owns a car/home stereo store. The only other shop I found was Love Garden Sounds. They were originally located up above the Toy Store(yes that's what it's called and what it is) up through a hallway covered in band stickers, show flyers and old 33/45 record covers. Once you walked inside it was just wall to wall records of all genres. They have since moved to a larger, more obvious location with big glass windows couple blocks up the street. Many people are still confused about this as they've had loyal customers from all over the lesser KC area and beyond for the last 15 years. As a result they still receive phone calls, e-mails, etc. asking where they are located or if they are still open.

 Love Garden has DVDs and VHS tapes, a cassette rack, used CDs and all the vinyl you could search through as it's an always changing selection. I personally love digging through the used tapes, used 7" rack and the New Arrivals bin. I have found some true gems in those last two spots; "World Extermination" by Insect Warfare, "Anticapital" by Assuck(didn't buy it because it had a $30 price tag), "Violent Noise Party" 7" comp., "Bullet" 7" by the Misfits and an old school pressing of "Vol. 4" by Black Sabbath, amongst the hundreds of other records I bought there. Even for being full of indie rock lovers, hipsters, jazz heads and just good old fashion rockers, the staff knows their shit for the most part and are all very nice and welcoming to talk about whatever genre you're into and help you find something new to listen to. The only negative thing I can say about this shop is the hesitancy the owner has for ordering vinyl for me(others as well). I've tried ordering several different records through them, and the only ones they were willing to get were the first two Krallice LPs from Profound Lore/Gilead Media. They carry Relapse, Southern Lord, Hydra Head and some other high profile labels and will order from them, but I could not for the life of me get Kelly(owner) to get the Magrudergrind LP from Six Weeks or "Abuse" by Wormrot from TvG Records even after explaining I don't have a bank account and it's very hard for me to order things online. He kept saying how obscure those bands are and how hard they are to find, which is bullshit because I could provide exact links to order from I just needed a middle man. I didn't even mind paying the extra cash it would take! Most of the employees would gladly take my requests, but only to be shot down before any ordering took place. Anyway, the city is full of young hipsters, yuppies and indie rockers so most of the music selection is geared towards them. However, there are plenty of high profile metal, punk and hardcore labels and bands to be found especially in the dollar 7" bin and New Arrivals. I can not count how many times I made the "OMFG they have this!?!!?" face digging in the New Arrivals bin. You just really have to be ready to spend time searching for hidden gems, which in itself is part of the magic of visiting record stores. Spending hours on your knees supported only by a hard concrete floor, digging through literally tons of wax finding those rare glimpses of golden vinyl nuggets. That's the true magic. The last bit of true magic for this shop is the in house cats they have. I love the cats dearly and they love me, and everyone else back. I can spend an hour just petting a cat laying on my backpack. But please respect the shop and don't let the cats out if you get the chance to visit.